Fernando Eduardo Bragança Queirós, born in the Oporto in 1973, Advertisement designer, studied fashion design participating in the main annual fashion shows in Portugal. After his degree he was invited to a period of training and work as a shoe designer. Passed three years of experience and work, designing international labels, he started to work and build his own company as a multidisciplinary free-lance designer, extending his services to other platforms of communication. Later, was invited to integrate an advertising agency as executive creative director with associates, keeping him away from the brushes and paints. Passed five years, of associated work, he redirected to a personal level his own experience and skills to work has independent consultant in marketing and advertisement and developing with more time his visual language and skills in hidden form of communication, Painting.

After the incursion in this territory, got the recognition of the public in its first show, being invited to belong among the Portuguese Plastic Artists National Film Library also invited to be represented in Greece and Cyprus, where it will be exposed his first international appearance in the end of this year in Athens.

His doubts, his excitements, with pieces of an existential situations, questioned him to cover diverse representations and assays for this artistic reality developing a plastic language with references to elementary symbols, strong colours of attention, social metaphors, social relationships, swaps, fights, principles. Many of the signs represented on his work, stimulate consciences and represent his mark.

Personal Note:

I was born in the decade of 70, a time of revolution of ideologies, recycling politics, creeds and transition of many of our social references. All these conditions of evolution and optimism have been changed in the chaos and in the competitive materialism. I am insert in an area that reflected influences of these causes and stimulates them. In this direction, I wanted to be against it in my work, instead of standardizing a symbolic symmetry of plastic and communicative context, I wanted to go to the inverse way and use a message with the